Director: Dorairaj-Bhagavan; Producer: Parvathamma Rajkumar; Cinematographer: S V Srikanth; Editor: P Bhakthavatsalam; Cast: Dr Rajkumar, Madhavi, Sudharani (GN), Gurudatt, Sriraksha, Balaraj, Sujatha, Abhijith, Kala, K S Ashwath, Tennis Krishna, Thoogudeepa Srinivas, Thimmayya, Shivaram (GN), Shivakumar, Prithviraj, Umesh, Ashwath Narayan, Honnavalli Krishna, Shani Mahadevappa, Mandeep Roy, Ja Bheema Rao, Raj Ballal, Pandaribai, Thriveni, Sathyabhama, Papamma, Sundarashree, Gayathri Prabhakar, Veena, Hemalatha, Agro Chikkanna
Summary: Jeevana Chaitra tracks the life and times of Vishwanath, from his youth, through the days of his jodi inamathi- when he becomes Jodidar Vishwanatha Raya to his end. Being an ideal son, he expresses his interest in Meenakshi (Madhavi) as his life partner and presents the case before his parents. Though Meenakshi is enamored towards Vishwanath, she fears that she is too poor to join the ranks of Jodidars. However, Vishwanath's father is more than satisfied with his son's choice and accepts the marriage proposal. Meenakshi and Vishwanath get married. Vishwanath takes over the mantle of Jodidar of Simhaadri and other 8 villages from his father and tries to improve the lives of the people of his 8 villages.
He fights illiteracy, the illicit liquor racket, and other social evils, in order to help villagers. They are blessed with 3 children. The parallel comedy track of the movie is handled by Putta Joisa, who joins as the priest of the family-entrusted main temple. Caught when trying to steal gold from Jodidar's home, he pleads guilty. Vishwanath, the generous man he is, gives him money and asks to leave the village. He reasons that if the villagers learn he has robbed the Jodidar, they are sure to kill him. Putta Joisa leaves in tears, knowing that he does not deserve to be with Jodidars.
The rift at home begins when their children come of age. The elder son, a doctor, falls for his classmate, the daughter of a liquor baron (Thoogudeepa Srinivas), who had been thrown out of the village by Vishwanath for brewing illicit liquor during their younger days. Toogudeepa creates a rift between father and son and verbally insults Vishwanath when he approaches to discuss the marriage proposal.
The real bone of contention is the hospital that Vishwanath has envisioned for the village, which he wants his son Gurudutt and daughter-in-law, both doctors to oversee and maintain the well-being of the community. However, Toogudeepa berates him for his short-sightedness in presuming that his well-educated and sophisticated daughter-in-law would stay back in a lowly village. Vishwanath is firm, and he insists that if Toogudeepa's daughter is to marry his son, she will have to stay with her husband in their village.
Toogudeepa walks away threatening Gurudutt that he can choose either his father's village or his love. Gurudutt fights with his father and leaves home. This comes as the first blow to Vishwanatha Raya.
Abhijit, the second son, gets married but his wife is not very happy staying in the village and serving her in-laws. Meenakshi pleads with her brother to allow her niece Lakshmi (played by Sudharani) to stay with her for a few days.
Bubbly, chirpy and sprightly Lakshmi fills the home with happiness. Vishwanath and Meenakshi plan to get her married to their last son Narahari (played by Balaraj). Narahari, who has a secret love affair, wastes no time in marrying his love and brings her home, once he learns of his parents' plan.
Meenakshi and Vishwanath are shocked to see Narahari and his wife. Meenakshi sinks into despair thinking about the heartbreak this would cause her brother, who is delighted to have his child become a bride of the Jodidar household. The burden is too much for Meenakshi and she dies, while welcoming her daughter-in-law.
Vishwanath feels lonely and goes on a theertha yaatre, has an accident and loses memory. He wanders around and is shown visiting Badri, Rishikesh, Kedarnath and Varanasi.When he finds the beauty of Himalaya, he is spellbound by nature and sings his heart out. Putta Joisa finds his old employer, clothed in rags and singing on a ghaat. He helps Vishwanath regain memory.
Meanwhile, Toogudeepa sweet-talks Vishwanath's three sons into handing over the ancestral property and takes over Vishwanath's property. The 3 sons, who have by now become addicted to sloth and a luxurious lifestyle, even throw their granny out.
Vishwanath returns, only to find his home turned from a temple to a tavern. He single-handedly beats the daylights out of drunkards gathered over there and questions his sons about his mother. Learning that she is passing days in a lonely hut, he visits his mother.
Pandari Bhai is filled with joy to find her son alive. She pleads his son to take cudgels against the liquor baron Toogudeepa. Life comes a full-circle to Vishwanath. He once again starts the task of fighting liquor racket, gambling, and other evils.
He ends up on a winning note, as the gamblers den is made into a primary school and the liquor factory is closed down. His children too learn their lesson and join hands with him.
A happy man, Vishwanath creates a will dividing his assets among his sons and leaves to a higher calling. The last scene shows Vishwanath ascending a hill, far away from Simhaadri.
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