Compiled by Satish Poduval and Jenson Joseph
FILM POLEMICS 
1) P Govinda Pillai
From Chalachithra Samskarathinte Desheeya Prathisandhikal (The National Crises of Cinematic Culture). 1992. Eds. Senan and V K Joseph: Federation of Film Societies of India, Kerala Unit, Thiruvananthapuram. (pp. 121-128)
‘Samanthara Cinema Poliyunnuvo?’ (Is Parallel Cinema on the Decline?)
https://indiancine.ma/documents/BOL2) Adoor Gopalakrishnan, T.V. Chandran, Shaji, K.R. Mohanan, Raveendran.
From Chalachithra Samskarathinte Desheeya Prathisandhikal (The National Crises of Cinematic Culture). 1992. Eds. Senan and V K Joseph: Federation of Film Societies of India, Kerala Unit, Thiruvananthapuram. (pp. 130-181)
Prathisandhikal Prashnavicharangal roundtable
https://indiancine.ma/documents/BOM3) M.K. Mohanan
Deshabhimani Weekly 1985 Feb 24 - March 26-12: pp. 28-30
‘Malayala Chalachithra Vedi Chila Chinthakal’ (A Few Thoughts on Malayalam Cinema) (On Adoor, Malayalam Art Cinema, etc.)
https://indiancine.ma/documents/BOK4) O.K. Johny
From Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
‘The Indian New Wave Must Change’
https://indiancine.ma/documents/BNH
Translation in English by Jenson Joseph
https://indiancine.ma/documents/BPT.
5) From Samakalika Malayalam, 31 May 2013, Special Issue on 100 Years of Indian Cinema
Lazar Shine
‘New Generation Cinema: Used in a Sentence...’ (essay on contemporary Malayalam cinema) (Malayalam).
https://indiancine.ma/documents/BMU
Anwar Abdullah
‘New Cinema: When Tail-Ends Tremble...’
https://indiancine.ma/documents/BMT6) Nissar Ahammad
From Yadharthyathinte Naalu Mukahngal [Four Faces of Reality]. Ed. Nissar Ahammad. Cochin: Nila Publishers, 1981. 7–38
‘Cultural Criticism’ (Malayalam), essays on Athithi, Yaro Oral, Esthappan and Iniyum Marichittillatha Nammal.
https://indiancine.ma/documents/BNB7) K. Sachidanandan
Originally published in Parallel Cinema ed. P. Indushekharan (Irinjalakuda: Samsaara Publications, 1981), reprinted in Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
‘The Parallel Wave in Indian Cinema’
https://indiancine.ma/documents/BNJ8) K. Gopinathan
From the essay collection Cinemayude Nottangal / The Looks of Cinema (Kozhikode: Mathrubhoomi Publishers, 2012)
‘Samoohika Maatavum Malayala Cinemayum’ / ‘Social Change and Malayalam Cinema’ (pp. 24-30) and ‘Chila 'Vyaaja' Chinthakal’ / ‘Some 'Fake' Thoughts’ (pp. 31-40, reflections on the police crackdown on ‘fake CDs’ in Kerala)
https://indiancine.ma/documents/BOE9) N.G. John
From the memoir Cinemayum Njaanum: 70 Varshangal / Cinema and Me: 70 Years, Kottayam: DC Books: 2012
‘Cinema-vyavasaaya Sanghatanakal / Film Trade Organizations’
http://indiancine.ma/documents/BOO10) Selected essays from Deep Focus Vol VII No 2 1997.
Editorial on Focus on Film Directors
Dr K Gopinathan’s Revivalism & Contemporary Malayalam Cinema
Pritiman Sarkar’s Kathapurushan: An Epic Journey
https://indiancine.ma/documents/BNE11) From Malayalam Varika (Special Issue on 100 Years of Indian Cinema, 31 May 2013)
K.N. Shaji
‘Backer, Pavithran, John – Art and Resistance’
https://indiancine.ma/documents/BMJ
N. Sasidharan
‘He Wasn't One of Us, Yet He is Within Us all’
https://indiancine.ma/documents/BMP
Premchand
“Eenadinte Rashtriya Mukham”/‘The Political Face of This Land: Essay on I.V. Sasi’ (On IV Sasi’s Eenadu).
https://indiancine.ma/documents/BMX12) Vijayakrishnan
From Chitrashala (Trivandrum: Chintha Publications, 2012)
‘The Anticipation Born of Hope’/‘Varum Varum Enna Pratheeksha’ (on K.P. Kumaran’s Atithi)
English translation by P. Muhammed
https://indiancine.ma/documents/BNW13) Prakashan
From Deshabhimani Weekly 1985 April 21-27: pp. 34-35.
Review of Padmarajan's Thinkalazhcha Nalla Divasam (Monday The Auspicious Day)
https://indiancine.ma/documents/BON14) K. Gopinathan
From the essay collection Cinemayude Nottangal / The Looks of Cinema (Kozhikode: Mathrubhoomi Publishers, 2012)
‘Watching Kodiyettam Again’
http://indiancine.ma/documents/BOS 15) Selected essays from Deep Focus Vol IX No 1 2001.
Editorial - Popular Cinema: Dreams, Imaginings and Dichotomies;
C S Venkiteswaran’s Susanna: Beyond the Feminine Mystique;
C S Venkiteswaran’s Film Society Movements: Some Reflections;
S V Srinivas’s Telugu Folklore Films: The Case of ‘Patala Bhairavi’
https://indiancine.ma/documents/BNF16) C.S. Venkiteswaran
From the essay collection Udalinte Thaarasanchaarangal, Kottayam: D.C. Books, 2013 (Malayalam)
‘Terrifying Vision: Gopi, Peerless Actor’ (‘Kaazhchakale Bhayapeduthiya Apoorvanadan’
https://indiancine.ma/documents/BMK17) Navaneetha Mokkil Maruthur
‘Re-viewing Her Nights: Modes of excess in Indian cinema’, South Asian Popular Culture, 9:3, 273-285, 2011
https://indiancine.ma/documents/BNNADOOR GOPALAKRISHNAN AND MALAYALAM CINEMA
18) Adoor Gopalakrishnan on his own films:
Beyond the Story: "Kathakkappuram," from Adoor Gopalakrishnan, Vidheyan (screenplay), Thrissur: H&C Books, 2001
https://indiancine.ma/documents/BPB
On Anatharam: "Kathaparachilinekurichulla Katha," from Adoor Gopalakrishnan, Cinema Samskaram, Calicut: Mathrubhumi, 2011.
https://indiancine.ma/documents/BPC
"Thikakatha Oru Amukham," from Adoor Gopalakrishnan, Kathapurushan / Man of the Story (screenplay), Trivandrum: Kerala Bhasha Institute, 2001.
https://indiancine.ma/documents/BPD
On A Decade After Nizhalkuthu: "Nizhalkuthinu Pinnil Oru Dashakam," from Adoor Gopalakrishnan, Nizhalkuthu (screenplay), Kottayam: DC Books: 2011.
https://indiancine.ma/documents/BPF
On Swayamvaram: "Swayamvara Sakshatkaram," Adoor Gopalakrishnan, Cinema Samskaram, Calicut: Mathrubhumi, 2011.
https://indiancine.ma/documents/BPG19) Adoor Gopalakrishnan on others:
On Mankada Ravi Varma
"Raviyettan," from Adoor Gopalakrishnan, Cinema Samskaram, Calicut: Mathrubhumi, 2011.
https://indiancine.ma/documents/BPH/7
On P.A. Backer
"Backer Enna Nishedi," from Adoor Gopalakrishnan, Cinema Sahityam Jeevitham, Thrissur: Current Books, 2005.
https://indiancine.ma/documents/BPH/3
On John Abraham, "Johnine Orkkumbol," from Adoor Gopalakrishnan, Cinema Sahityam Jeevitham, Thrissur: Current Books, 2005.
https://indiancine.ma/documents/BPH/5
On Padmarajan
"Njangal Snehithar," from Adoor Gopalakrishnan, Cinema Sahityam Jeevitham, Thrissur: Current Books, 2005.
https://indiancine.ma/documents/BPH/11
On Ravi the Producer
"Nirmathavu Ravi," from Adoor Gopalakrishnan, Cinema Samskaram, Calicut: Mathrubhumi, 2011.
https://indiancine.ma/documents/BPH/13
On Thakazhi
"Thakazhiyude Kathakal, Ente Cinema /Thakzhi's Stories, My Cinema," Adoor Gopalakrishnan, Cinema Samskaram, Calicut: Mathrubhumi, 2011.
https://indiancine.ma/documents/BPH/15 (20) Adoor Gopalakrishnan
Ente Cinemayile Mindapraanikal/”The Mute Creatures in My Cinema”.
From M.F. Thomas, Adoorinte Chalachithrayathrakal/Adoor’s Cinematic Journeys. Sign Books, 2006 pp. 103-112
http://indiancine.ma/documents/BMITHE MUKHA MUKHAM DEBATE21) C.L. Thomas
From Deshabhimani Weekly 1985 Jan 6-12: pp. 31-33
‘Oru Samvidhayakante Pathanam’ (A Director's Decline). (A critique of Adoor's Mukhamukham)
https://indiancine.ma/documents/BOJ22) Vijayakrishnan
From Chitrashala (Trivandrum: Chintha Publications, 2012).
‘A Saga of Decadence’ (on Elipathayam) and ‘Realizing Decadence’ (on Mukhamukham)
https://indiancine.ma/documents/BMG)
English translation of ‘Realizing Decadence’ by Muhammed P.
https://indiancine.ma/documents/BOA23) Raveendran
From Cinema, Samooham, Prathyayasasthram, Calicut: Mathrubhumi Books, 2007: 125-133
‘Mukhamukham: The Film and its Interpretations’
English translation by Muhammed P.
https://indiancine.ma/documents/BOI24) Adoor Gopalakrishnan
"The Director About the Film", from Face To Face / Mukhamukham (screenplay), Trans. Shampa Bannerjee, Calcutta: Seagull Books, 1985.
https://indiancine.ma/documents/BPEFRAMING POLITICAL DEBATES IN KERALA
25) K. Damodaran
From Therenjedutha Prabandhangal: Selected Writings—Vol. I, Kerala Sahitya Academy, Thrissur: 2011.
‘Yathartyathinte Chithrikaranam’/‘The Depiction of Reality’(Malayalam)
https://indiancine.ma/documen
ts/BNM
English translation of ‘The Representation of Reality’ by Satish Poduval
https://indiancine.ma/documents/BOB‘Sahityathinte Paramparyam’/‘The Tradition of Literature’(Malayalam)
https://indiancine.ma/documents/BNL
English translation of ‘The Tradition of Literature’ by Satish Poduval
https://indiancine.ma/documents/BOC26) E.M.S. Namboodiripad
From Selected Writings—Vol. I, Calcutta: National Book Agency, 1982)
‘Humanism and Class Struggle in Literature’ (pg 386-399) (criticism of K. Damodaran)
https://indiancine.ma/documents/BME‘On ‘People’s Culture’’(pg 401-411) (criticism of Thoppil Bhasi)
https://indiancine.ma/documents/BMF27) Thoppil Bhasi
From Olivile Ormakalkku Shesham (DC Books, Kottayam: 2008) his memoir, which is a sequel to his Olivile Ormakal, ‘Memories in Hiding’)
Chapter 25
https://indiancine.ma/documents/BMY28) K.P.A.C. Sulochana
From the memoir Arangile Anubhavangal / Experiences on the Stage by legendary theatre actress-activist) (Thrissur: Current Books, 2007)
‘Satyagrahavum Arrestum’/‘Satyagraha and Arrest’(pgs 77-80)
https://indiancine.ma/documents/BMW‘An Open Letter to the Police Minister’(pgs 83-90)
https://indiancine.ma/documents/BMV29) Paul Zacharia
From the essay collection Sanmanassulavarkku Samadhanam / The Good Shall Find Peace, Kottayam, D.C. Books, 2013
‘Thoppil Bhasi’ pg 113-115
http://indiancine.ma/documents/BOP
English translation by Satish Poduval
https://indiancine.ma/documents/BOD30) Lenin Rajendran
From the memoir Aa Chuvanna Kaalathinte Ormakku / In Memory of that Red Age, Kottayam: DC Books: 2009
‘The Inner Worlds of Backer’
https://indiancine.ma/documents/BNZ31) Lenin Rajendran
From the memoir Aa Chuvanna Kaalathinte Ormakku / In Memory of that Red Age, Kottayam: DC Books: 2009
‘Janashakti and the Mass Film Society’
https://indiancine.ma/documents/BNY32) T.V. Eachara Warrier
English version of famous memoir Oru Achante Ormakal / Memories of a Father (Trans. Neelan, published by Asian Human Rights Commission and Jananeethi, 2004). Shaji N Karun's Piravi (1988) is supposed to be based on the torture-killing of a student-activist named Rajan by the Kerala police during the Emergency, and Eachara Warrier is Rajan's father. Also translator Neelan, a well-known film critic, is the son of Premji who played the role of Raghava Chakiyar (‘Eachara Warrier’) in Piravi.
https://indiancine.ma/documents/BNOFILM THEORY IN KERALA33) G.P. Ramachandran
From the essay collection Cinemayum Malayaliyude Jeevithavum / Cinema and the Life of the Malayali, Kottayam: National Book Stall, 1998/2010 (winner of the Kerala Government State Award for the Best Book on Cinema in 1998).
‘Cinema and the Life of the Malayali’ pgs 19-25
https://indiancine.ma/documents/BMM34) G.P. Ramachandran
From Cinemayum Malayaliyude Jeevithavum / Cinema and the Life of the Malayali, Kottayam: National Book Stall, 1998/2010; pp. 26-34.
‘Keraliyathayum Cinemayude Paricharanavum/ “Kerala-ness and the Nurturing of Cinema’.
https://indiancine.ma/documents/BMN35) C.S. Venkiteswaran
From the essay collection Cinema Talkies, Kottayam: DC Books, 2011
On Rise of Malayalam film studios: "Malayala Cinemayude Studiokalam,", pgs 80-84
https://indiancine.ma/documents/BPL
'Nagaram Gramam Nagaram'/‘City, Village, City’, pgs 85-89
https://indiancine.ma/documents/BML
On Vernacular Language as a farce: " 'Pyaru Enthare'--Pradeshika Bhasha Enna,Tamasha,", pg 104
https://indiancine.ma/documents/BPN
On Vigathakumaran, "Vigathakumarante Yathrakal,", pgs 105-109
https://indiancine.ma/documents/BPI
On New Spectators Old Film Industry: "Puthiya Prekshakar, Pazhaya Cinema Vyavasayam," pgs 110-113
https://indiancine.ma/documents/BPO
On Regional film criticism: " 'Pradeshika' Chalachita Niroopanathinte Vibhakta Jeevithangal," pgs 115-117
https://indiancine.ma/documents/BPK
On Changing Malayalam Society and Cinema: "Maarunna Malayalisamooham, Marunna Cinema," pgs 126-129
https://indiancine.ma/documents/BPP
On Sharathchandran, "Sharathchandran--Sakhavu, Suhruth, Chalachitrakaran," pgs 130-135
https://indiancine.ma/documents/BPJ
On Shakunthala in Malayalam cinema: "Shakunthala Malayalathil Etthumbol," pgs 137-143
https://indiancine.ma/documents/BPM 36) Rekha Raj
From Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
“Cinemayum Njaanum Thammil / Between Cinema and Me”
http://indiancine.ma/documents/BOU 37) K. K. Baburaj
From Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
‘Cinemadeshangal Anyadeshangal’/‘Cinematic Realms; Other Realms’
https://indiancine.ma/documents/BMQ38) Selected essays from the journal Drisyathalam 2 Jan-June 2002, Federation of Film Societies of India: Thiruvananthapuram.
C S Venkiteswaran’s Shakeela: Chila Thundu Chinthakal;
T Muralidharan’s Idarunna Thrishnakal: Mohanlal Cinemakalile Purushabandhangal,
Gayathri Gopinath’s Idangal, Paadhangal, Laingikathakal: Chila Badal Anweshanangal,
S Sanjeev’s Palunku Sadacharangal: Charithrathil Ninnu Chila Asleela Edukal.
https://indiancine.ma/documents/BND39) G.B.C. Menon
From Deep Focus v VI (1996)
‘A Note of La Chinoise and Uttarayanam’
http://indiancine.ma/documents/BOT40) S.P. Ramesh
Bhashaposhini January 2007.
‘When Yesudas Sings: For a Thousand Summers, One Spring’ / ‘Yesudas Paadumbol: Aayiram Greeshmathinu Oru Vasantham’
https://indiancine.ma/documents/BNK41) P.K. Nair
From 50 Years of Malayalam Cinema (Trivandrum Filmotsav Souvenir: produced by NFAI and KSFDC, 1988 pp. 1-7) (English)
‘Malayalam Cinema in Search of an Identity’
https://indiancine.ma/documents/BMA/442) Vasanthi Shankaranarayanan
From 50 Years of Malayalam Cinema (Trivandrum Filmotsav Souvenir: produced by NFAI and KSFDC, 1988, pp. 8-12) (English)
‘Malayalam Cinema Today’
https://indiancine.ma/documents/BMA/843) Selected essays from Samkramanam Magazine (Ashoka Publishers, Thiruvananthapuram), Sept-Oct 1981, Vol 3 Issue 21.
Vijayakrishnan, Cinema in the 70s
https://indiancine.ma/documents/BMC
Padmarajan, ‘The Recent Trends in Indian Cinema’
https://indiancine.ma/documents/BMC/8
P K Nair, Film Society Movement: A Historical Perspective
https://indiancine.ma/documents/BMC/10
‘Cinema is not a Collective Art’: Roundtable discussion involving Aravindan, Adoor, John Abraham, Pavithran, Vijayakrishnan (prepared by P K Subhash, A V Gopalakrishnan, and Shaji Shankar)
https://indiancine.ma/documents/BMC/1244. Selected essays from
Close Look, published by Chalachithra Film Society, Thiruvananthapuram, set up in 1976
“On Elippathayam”: Chit-Chat Adoor Gopalakrishnan with M F Thomas, Close Look, January 1983 (Vol 2, Issue 18). Thiruvananthapuram: Chalachitra Film Society; p. 5-8.
https://indiancine.ma/documents/BPX
Chidananda Das Gupta on Aravindan’s Pokkuveyil. Close Look, February 1982 (Vol 1, Issue 09). Thiruvananthapuram: Chalachitra Film Society; p. 5-8.
https://indiancine.ma/documents/BPY
Chalachithra Film Society’s screening schedule. Close Look. February 1983 (Volume 2, Issue 19). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BPZ
Is New Kannada Cinema Dead? By Ahmed Rezvi and B S Lakshmi. Close Look. April 1982 (Vol 2, Issue 11), Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQA
Chalachithra Film Society’s screening schedule April 1985. Close Look. April 1985 (Volume 5, Issue 40). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQB
Chalachithra Film Society’s screening schedule May 1983. Close Look. April 1985 (Volume 3, Issue 21). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQC
Chalachithra Film Society’s screening schedule, May 1984. Close Look. May 1984 (Volume 04, Issue 31). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQD
Chalachithra Film Society’s screening schedule, June 1981. Close Look. June 1981 (Volume 01, Issue 03). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQE
Chalachithra Film Society’s sixth anniversary programme, July 1982. Close Look. July – August 1982 (Volume 02, Issue 14). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQF
Padmarajan on Chit Chat with Close Look on Oridathoru Phayalvan. Chalachithra. Close Look. November 1982 (Volume 02, Issue 17). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQG
Chalachithra Film Society’s screening schedule, December 1984. Close Look. December 1984 (Volume 04, Issue 35). Thiruvananthapuram: Chalachitra Film Society.
https://indiancine.ma/documents/BQH45) K P Sadanandan: "Adoorinte Cinema--Kalayum Jeevithavum," from Adoor Gopalakrishnan, Kathapurushan / Man of the Story (Screenplay), Trivandrum: Kerala Bhasha Institute, 2001.
https://indiancine.ma/documents/BPQ 46) Mannarkad Mathew on Vidheyan: "Vidheyan--Kathayum Karyavicharavum," from Adoor Gopalakrishnan, Vidheyan (screenplay), Thrissur: H&C Books, 2011.
https://indiancine.ma/documents/BPR THEORIZING NEW CINEMA47) Ratheesh Radhakrishnan
‘Aesthetic Dislocations: A Re-take on Malayalam Cinema of the 1970s’, South Asian Popular Culture, 10:1, 91-102, 2012
https://indiancine.ma/documents/BMZ48) Ratheesh Radhakrishnan
‘The Gulf in the imagination: Migration, Malayalam cinema and regional Identity’, Contributions to Indian Sociology (n.s.) 43, 2 (2009): 217
https://indiancine.ma/documents/BNA49) From re-vision, Homepage Calicut University: Calicut, 2002
T Muralidharan
‘Sisterhood Sans Politics? Women Friendships in Malayalam Cinema’, pp. 6-18.
https://indiancine.ma/documents/BNC/3
S Sanjeev and C S Venkiteswaran
‘Srinivasan’,pp. 23-32.
https://indiancine.ma/documents/BNC/1050) Vijayakrishnan
From Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
‘Neo, Nava, New, Nouvelle Nuovo Tharanaga Charithram’/’Neo, Nava, Nouvelle, Nuovo Wave History’
http://indiancine.ma/documents/BOV 51) Sikesh Gopinath
From Malayalam Varika, 5 July 2013
‘Looking from the Right – Critique of Left Right Left’
https://indiancine.ma/documents/BMR52) V. C. Harris
From Deep Focus
‘On Films, Structure and Ideology: Reflections on Mukhamukhan and Amma Ariyan
https://indiancine.ma/documents/BMD 53) G.P. Ramachandran
From the essay collection Cinemayum Malayaliyude Jeevithavum / Cinema and the Life of the Malayali, Kottayam: National Book Stall, 2010)
‘Vidheyan: Creation and Re-Creation’
https://indiancine.ma/documents/BMOJOHN ABRAHAM
54) K.P. Kumaran
From the anthology John Abraham edited by K.N. Shaji, Thiruvavanthapuram: Chintha Publishers, 2011
‘The One Who Spoke in the Desert’
https://indiancine.ma/documents/BOX55) R. Gopinathan
From the study John Abraham Ammaye Thedi / John Abraham in Search of Mother, Kottayam: National Bookstall, 2010.
‘The Paths of the Traveller’ and ‘A Free Medium’, pgs 22-86
https://indiancine.ma/documents/BOG56) John Abraham
From John Abrahaminte Kathakal, Trivandrum: Mythiri Books 2011.
John Abraham's short story ‘Cheriyachante Varalchayile Krithyangal / Cheriyachan's Deeds During the Famine’
http://indiancine.ma/documents/BOR57) Interview with Joy Mathew (lead actor in John Abraham's Amma Ariyan) by Jayan Shivapuram
From Bhashaposhini, August 2014, 38 (8): 6-22)
https://indiancine.ma/documents/AWS
English translation by Jenson Joseph
https://indiancine.ma/documents/AWR 58) John Abraham
From John Abraham (Ed.) K N Shaji. Niyogam Books, Kochi: 1994
Interviews with John Abraham, selected and translated by Jenson Joseph
https://indiancine.ma/documents/AWF
Writings by John Abraham on him and his films, selected and translated by Jenson Joseph
https://indiancine.ma/documents/AWG 59) R Nandakumar interviews John Abraham (Malayalam)
Mathrubhoomi, Feb 24-March 1, 2008.
https://indiancine.ma/documents/AWP
English translation by Jenson Joseph
https://indiancine.ma/documents/AZD 60) Memoirs by playwright N Sasidharan and VP Sreelan on John Abraham (Malayalam).
https://indiancine.ma/documents/AWH61) John Abraham memoirs of OK Johny, MB Srinivasan, cameraman Venu (Malayalam).
https://indiancine.ma/documents/AWI62) John Paul
‘Kaalathinu Munpe Nadannavar’/ ‘Those Ahead of Their Times’, Olive: Kozhikode, 2008.
Excerpts translated by Jenson Joseph
https://indiancine.ma/documents/AZCG. ARAVINDAN
63) S.P. Ramesh
From ‘Bhashaposhini September 2005
The Aravindan Story’ / ‘Kathaaravindam’
https://indiancine.ma/documents/BNI64) G. Aravindan
From the anthology G. Aravindan: Oru Ormapusthakam / G. Aravindan: A Book of Memories edited by K.S. Sreekumar, Thrissur: Kerala Chalachitra Akademi, 2010)
Letters to Paul Zacharia
https://indiancine.ma/documents/BOW 65) Vijayakrishnan
From the essay collection Chithrashala,Thiruvananthapuram: Chintha Books, 2012
‘Aravindan’s Cinema’
https://indiancine.ma/documents/BPA 66) Ayyappa Panikker, Kavalam Narayana Panikker, K.S. Narayana Pillai, T.R. Sukumaran Nair
From the anthology G. Aravindan: Oru Ormapusthakam / G. Aravindan: A Book of Memories edited by K.S. Sreekumar, Thrissur: Kerala Chalachitra Akademi, 2010)
Round-table on Aravindan’s Kanchana Seeta
https://indiancine.ma/documents/BOH67) Kavalam Narayana Panicker
From the anthology G. Aravindan: Oru Ormapusthakam / G. Aravindan: A Book of Memories edited by K.S. Sreekumar, Thrissur: Kerala Chalachitra Akademi, 2010)
On Aravindan’s Kummatty
https://indiancine.ma/documents/BOF68) Raveendran
‘Aravindante Chidambaram’ / ‘Aravindan's Chidambaram’ from the anthology G. Aravindan: Oru Ormapusthakam / G. Aravindan: A Book of Memories edited by K.S. Sreekumar, Thrissur: Kerala Chalachitra Akademi, 2010).
https://indiancine.ma/documents/BOZ RAVEENDRAN
69) Raveendran
From Raveendrante Thirakathakal / Raveendran’s Screenplays, edited by C.S. Venkiteswaran, Kozhikode: Mathrubhoomi Publishers, 2013
‘I am Committed to Historical Reality’ (interview with K. Cherian)
http://indiancine.ma/documents/BOQ70) Essays from Raveendran (ed.) Kala Vimarsham: Marxist Maanadandam/Art Criticism: Marxist Framework. Thiruvananthapuram: Chintha Publishers, 2012
Raveendran: ‘Cinema and Ideology’
https://indiancine.ma/documents/BMB/6
Raveendran: ‘Ideology of Contemporary Cinema: Critical Notes’
https://indiancine.ma/documents/BMB/18
T.K. Ramachandran: ‘Samskarika Vimarsham’/Cultural Criticism’
https://indiancine.ma/documents/BMB/30K.G. GEORGE
71) K. G. George
From Mathrubhumi Annual Issue on the Indian Cinema Centenary (2013)
‘Master Film-Maker’ (interview with K. C. Suby)
https://indiancine.ma/documents/BNG/1
English translation by Satish Poduval
https://indiancine.ma/documents/BPST.V. CHANDRAN
72) Narendra Prasad
From the anthology T.V. Chandran: Cinema, Jeevitham, Darshanam / T.V. Chandran: Cinema, Life, Vision edited by Madhu Janardhanan, Thrissur: Kerala Chalachitra Academy, 2010, pp 107-112 (Malayalam)
‘Susanna: Bouquets and Brickbats’
https://indiancine.ma/documents/BMS73) R. Nandakumar
From the anthology T.V. Chandran: Cinema, Jeevitham, Darshanam / T.V. Chandran: Cinema, Life, Vision edited by Madhu Janardhanan, Thrissur: Kerala Chalachitra Academy, 2010, pp 107-112 (Malayalam)
‘The Theme of Role Play in Dany’
https://indiancine.ma/documents/BOY 74) Selected essays from Deep Focus Vol IX No 1 2001.
C S Venkiteswaran’s Susanna: Beyond the Feminine Mystique;
https://indiancine.ma/documents/BNF